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Samson and Delilah Flemish but he was later also

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Samson and Delilah Flemish but he was later alsoThis work owes much to Rubens' Samson and Delilah now in the National Gallery, London and was for a long time attributed to him. Van Dyck was at this time working in Rubens' studio, but his special status he was already an established master in his own right is demonstrated by the fact that he did not scruple to 'improve' the composition to suit his own ideas. The artist displayed even at twenty his mastery of textures the luxurious skin tones, satin,

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but he was later also influenced by Jan Steen

This work owes much to Rubens' Samson and Delilah now in the National Gallery

velvet and brocade

between 1638 and 1641

Samson and Delilah Flemish but he was later alsoThis work owes much to Rubens' Samson and Delilah now in the National Gallery, London and was for a long time attributed to him. Van Dyck was at this time working in Rubens' studio, but his special status he was already an established master in his own right is demonstrated by the fact that he did not scruple to 'improve' the composition to suit his own ideas. The artist displayed even at twenty his mastery of textures the luxurious skin tones, satin,

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